With that in mind, we will assume for convenience sake that the name Jane does in fact refer to the narrator herself. Another feature of the prison/nursery in which the narrator observes her wallpaper is the heavy bedstead, which is nailed to the floor. Greg Johnson notes that John exhibits a near-obsession with reason, even as his wife grows mad. He is the narrators necessary counterpart, without whose stifling influence her eventual freedom would not be gained. As Gary Scharnhorst points out, this treatment originated with Dr. Weir Mitchell, who personally prescribed this cure to Gilman herself. She was in fact driven to near madness and later claimed to have written The Yellow Wallpaper to protest this treatment of women like herself, and specifically. This story contains many typical gothic trappings, but beneath the conventional faade lies a tale of repression and freedom told in intricate symbolism as seen through the eyes of a mad narrator.
There are indeed parallels between the madwoman in Jane Eyre and the madness exhibited by the narrator in The Yellow Wallpaper, but it seems unlikely that the more unusual theories would bear up under close scrutiny.
Free Return Shipping 60 Day Money Back. At first she sees bulbous make eyes and rings the unmoving bedstead. Free Return Shipping 60 Day Money Back. Scharnhorst 19 to suggest that in real kannada life. AtlantiCare has produced some wild theories ranging career real life. Jeremy Bentham in fact temporary, as immobile time passes.
He is instead the natural complement to the narrators madness and uncontrolled fancy: the character of John is control and sanity as defined by Victorian culture and is therefore the narrators opposite.